Tuesday, 2 August 2011

Sharif Waked: Chic Point Fashion for Israeli Checkpoints

Sharif Waked was born in Nazareth to a Palestinian refugee family from the village of Mjedil. He lives and works in Haifa/Nazareth. Waked has exhibited at various biennials, museums, and art venues internationally.

His work, Chic Point is a seven minute video that ponders, imagines, and interrogates "fashion for Israeli checkpoints." Set to the backdrop of a heavy rhythmic beat, men model one design after another in an exploration of form and content. Zippers, weaved nets, hoods, and buttons serve the unifying theme of exposed flesh. Body parts - lower backs, chests, abdomens - peek through holes, gaps, and splits woven into readymade silk and cotton t-shirts, robes, and shirts. Raw materials and standard clothes are transformed into pieces that follow normative fashion standards while calling them into question.

As the sights and sounds of the fast paced catwalk dim to a close, the viewer is transported to the West Bank and Gaza. A series of stills taken from the years 2000 to 2003 display Palestinian men traversing the profoundly violent but highly common Israeli checkpoint. One man after another lifts shirts, robes, and jackets. Some kneel shirtless, others naked, with guns poised at their exposed flesh. Men in Jenin, Ramallah, Bethlehem, Kalandiya, Jerusalem, Hebron, Nablus, and Gaza City wrangle with the Israeli state’s security apparatus.

Chic Point brings these two locations together in a reflection on politics, power, aesthetics, the body, humiliation, surveillance, and chosen as opposed to forced nudity. The world of high fashion is an interlocutor for the stark reality of imposed closure. The body of the Palestinian, today commonly understood by the Israeli state as a dangerous weapon, is brought to the viewer’s eye in the flesh. Chic Point bares the loaded politics of the gaze as it documents the thousands of moments in which Palestinians are daily forced to nude themselves in the face of interrogation and humiliation, as they attempt to move through the intricate and constantly expanding network of Israeli checkpoints.











Monday, 1 August 2011

Ahmed Mater

Born in 1979, Ahmed Mater lives and works in Abha, capital of the mountainous Aseer region in southern Saudi Arabia, where he combines his career as an artist with that of a medical doctor at the local hospital.

Mater may best be described as an illuminator of both form and ideas and a man of energy and few habits. It is from this knowledge of both loss and enlightenment that Mater appears to have the ability to move from expressing sadness and anger to sharing his insights with a sense of humor and lifegiving lightness. In the work which has brought him fame in both Europe and the Middle East, he combined explicit notes from his medical education with a palimpsest of religious symbols and cultural references.
  
Illumination (Ottoman Waqf)   
"I was drawn to the skeleton at the centre of the canvas, fascinated by the complexity of this painting, and in curator mode attempted to decode it."

Gold Leaf, Tea, Pomegranate, Dupont Chinese ink & offset X-Ray film print  on paper
H152 CM x W 102 CM x 2
2010
Los Angeles County Museum of Art Collection

Magnetism Installation - Prototype 1

"The idea is simple, like its central element, forcefully attractive. Mater gives a twist to a magnet and sets in motion tens of thousands of particles of iron..."

Magnetism Installation - Prototype I
Magnets and Iron Filings
2008

Evolution of Man
“I am a country man and at the same time, the son of this strange, scary oil civilisation. In ten years our lives changed completely.."
Evolution of Man
Lightbox
H79.2 CM X W59.4CM
2010
5 silk-screen prints signed and numbered by the artist Printed with 11 colours on 400GSM Somerset Tub paper
H80 x W60cm (each)
Edition size: 100 + 10AP’s
2010

 Yellow Cow
"Ahmed took a childhood story from his mosque and renewed it, by wondering what would have happened if the cow was still alive"
ellow Cow Cheese (Red) 142 x 114cm
Silkscreen Print
Edition of 35
2010

http://ahmedmater.com/

Sunday, 31 July 2011

Pop'Africana III






www.popafricana.com

Pop'Africana II









 Photographer: Oroma Elewa
Stylist: Opa Majek
Model: Atuai Deng
Make -up artist: Lauretta Mccody

Pop'Africana

The African Diaspora's style magazine launches its second issue...





 Following a debut issue that was warmly received in the press and beyond in 2010, Pop'Africana, a publication "dedicated to delivering a rejuvenated image of Africans," is rolling out its next edition with features on the likes of fashion designer Duro Olowu, chef Marcus Samuelsson and model Nina Keita. The New York City-based art and fashion glossy strives to break clichés that continue to corrupt thinking about the second-most populous continent.

Editorial director Oroma Elewa, who founded in 2008, is working hard to change popular thought cultural vehicle showing the vibrant contemporary side of the diaspora rarely seen or appreciated in the West.

Ikechukwu Onyewuenyi, the magazine's Nigerian-born communications director (also a recent Cool Hunting contributor), explains it as "our opportunity to share the inclusive vision we have for Africa and Africans wherever they may be," adding "a vision that we hope will continue to engage and inspire.

Read about them in their own words!

Oroma Elewa
I have always  been  drawn to  certain elements and ideas of beauty or
style like the beauty of a line, a curve, handwriting, colour, shape,
space, textile, facial features, silhouettes, photo compositions like the
ones created by  Seydou Keita and Thierry le gous or the composition of
visionaire.
So, It is only in line with whom I am to create a magazine that will
explore individualism and the alternative.(http://oromaelewa.blogspot.com)

Tenne Fatona - "I'm just a dream whose intentions are good"

The magazine immediately came across as a rule breaker, which moves away
from clichéd African stereotypes and I needed to be a part of it. It the
holy trinity of magazines - sophisticated, eccentric and alluring. The
attention to detail and the fresh perspective it reflects onto the readers
is  unlike no other. The List goes on -  These are just a few of the many
reasons I was wooed into being a part of the Pop'Africana movement, and to
think this is just the beginning...[http://www.mrmadeofcodes.com/ ]

Jennifer Nam- “the fine line”
As a child, they called her the “ugly cousin.”  Now, her clients are
begging,
“Make me look like you!”  The now-without-a-doubt beautiful Jennifer Nam is
knocking ‘em out with a style all her own.  A broadly talented artist, Nam
is more than capable of creating the uniquely sophisticated, the beautifully
the traditional and the edgy.  Not bad for a gal who got her start as the
unofficial makeup artist/stylist for all the young ladies at her military
high school… now, that’s hot and even hotter is that I am working with ultra
talented Oroma and Pop’Africana.

Sam Coffie – “POPAFRICANA and me”
Fashion rules many things around me as it represents a feeling, a movement,
a sense of something I believe in. As  I do in POP’AFRICANA, thus proving
why I joined the family. As much as I would like to explain who I am, I would like you to
grow with me and who I become. One thing to know, is that we should always
know MORE… That is why POP’AFRICANA is here, lets explore it
together.

Chukwuwike Obi
Always viewed as weird due to his sense of style . A style that has landed
me a chance to report trends to the world through Pop’Africana
Pop’Africana is who I am, has been and will be always be. it is the future
and is going to be the  global style guide for Africans.

Check out Pop Africana The Website & Oroma’s Blog.

Monday, 25 July 2011

Needle Body Mapping



Katie Lewis: 201 Days, pins, pencil, thread 
Katie Lewis: Tangled Pathways, pins, enamel, thread
Katie Lewis: Accumulated Numbness, pins, enamel, pencil
Katie Lewis: Process of Accumulation, pins, pencil, thread
 
‘My current work traces experiences of the body through methodical systems of documentation, investigating chaos, control, accumulation and deterioration. The artificially rigid organization of my materials alludes to control– of the individual body as an institutional domain, and of irrational experience as a manageable, concrete set of events.’

‘My choice to use the body as a starting point aims to give visual form to physical sensations that are invisible to the eye and medical imaging, and only exist in the subjecetive realm. I collect data through daily documentation processes, and then generate numerous systems to allow the information to exist in a material form. I abstract and quantify the data in order to give authority and agency to subjective experiences.’

‘The work alludes to the body in certain pieces, through the text or a particular material, but the reference remains abstracted. By abstracting and codifying the work, I want to evoke a sense of the passing of time, accumulation of information, presence and absence, chaos and order, control and loss of control and the possibility of the system collapsing upon itself or reaching a breaking point.’

‘Once I devise a system for a particular piece, I follow it all the way through the work allowing the visual results to exist outside of subjective expressive decisions. By strictly following and never veering from a given system, the work is tightly controlled and asserts itself as accurate and authoritative (however false and unscientific), questioning the gap between a subjective experience and medicine’s conventions for understanding the body.’

‘The work is often organized into grid-like charts and diagrams mimicking science and medicine’s representations of the body as a specimen, visually displayed for the purpose of gaining knowledge. In this way I create distance from the information and objectify the experience, giving a false sense that the body is accessible and easily understood.’

http://katiehollandlewis.com/

Elisabeth Lecourt


Elisabeth Lecourt b.1972, France. lives and works in London. Studied at Kingston, Central Saint Martin's and the Royal College of Art.


Cephalopod

Chelsea girl

Reglisses roulees
 

 http://www.elisabethlecourt.com